Centuries before the Spaniards came, the Filipinos already had their own cultural traditions, folklore, mythologies and epics. There were substantial writings by early natives that Jesuit historian Fr. Pedro Chirino noted: "All of the islanders are much given to reading and writing. And there is hardly a man, much less a woman who did not read and write." (Relacion de las isles Filipinas-1604)
Stories of epics, done in poetry displayed tremendous vitality, color and imagination. Tales of love and adventures about native heroes, endowed with powers from the gods, battle monsters, and triumphs over formidable armies, rode the wind, vanguard shields and protect the earliest communities of the islands with sand king.
Established epic poems of notable quality and length blossomed. And early historians like Padre Colin, Joaquin Martinez de Zuniga and Antonio Pigafetta have all attested to the existence of these epics. There were even reports of a dramatic play given by natives at the arrival of Don Miguel Lopez de Legaspi in 1565.
Epic poems and songs about the exploits of enchanted folk heroes medusa were performed during festivities and proper occasions. Most often, these epic poems (folk epics or ethno-epics) were titled after the names of the hero involved, except for some which carry traditional titles like the Kalinga Ullalim; the Sulod Hinilawod; the Maranao Darangan; or the Bicol Ibalon.
Stories about folk heroes of long ago were described as "Old Time History" because; they can be used to study the lifestyle and beliefs of the people who produced them. They were also referred to as "Lost", because they were soon forgotten by natives influenced heavily by Spanish and "western" colonization. The famed orientalist, Chauncey Starkweather, stressed that : "These epic romances are charming poem in the Malayan literature."
But there are those who perpetuated myths that in the early days of Spanish intrusion, priests in their zealous rage against paganism destroyed all existing records, as well as all forms of writing and art works, regarding ancient Philippine folk heroes. But this is not true. The colorful and fascinating literature of pre-Hispanic Filipinos are still here. Giving the new generation an over view of a heritage that is an unusual and invaluable source of joy and information. Regarding the life style, love and aspirations of early Filipinos. It is from these, wonderful epics, where a Filipino can find his or her national identity.
It is from these that a Filipino can feel heroic, truly pulsating with splendor of a magnificent and authentic cultural force.
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From the Bicol province comes the Ibalon. The Ibalon relates the mystical origins of the first man and the first woman of Aslon and Ibalon, which are current provinces of Camarines, Albay, Sorsogon, Catanduanes and Masbate. Handiong, one of the heroes of Ibalon (The others are Baltog and Bantong) was a great leader of warriors. He won over the seductive serpent Oriol before starting a village.
Samples of Philippine epic poetry
His Village prospered and soon, other friends of Handiong went to help him in leading the village.The system of writing was introduced by Surat. Dinahong Pandak taught them how to make jars, utensils in cooking, plough, harrow and other farming implements. Weaving cloth was known with the help of Hablon. Lastly, Ginantong taught them to make boats, blades, knives and things used in a house. Events in this epic also had a flood story similar to that of the Biblical Genesis. This epic has the story in how the Mayon Volcano was made.Thus ends Ibalon.
[edit]Ilokano epic poetry
LIFE OF LAM-ANG (by: Pedro Bucaneg)
Barely 9 months old, Lam-Ang fought against the headhunters who killed his father. He was also eaten by a sea monster, but was reborn from his retrieved bones. He also journeyed to get the beautiful Ines Kannoyan accompanied by his pets; a rooster and a dog. (This reminds us of an old Japanese tale titled Momotaro the Peach boy.) Ines Kannoyan's place was filled with suitors, Lam-Ang's rooster flap its wings and the long house toppled. This amazed everybody, especially Ines. Then, Lam-Ang's dog barks and the long house rose to its former. Lam-Ang gave Ines two golden ships filled with treasures, and then he married her from noah.
[edit]Mindanao epic poetry
The people of Mindanao had rich literatures that exist only in their minds and memories. Only recently that these epic poetries were put in writing, so these can be studied by the public. Locally called "Darangan", these epic poetries were similar to those of that Homer's Iliad and Odyssey.
The Darangan tells of the sentimental and romantic adventures of noble warriors, one of them, is about a warrior-prince called Bantugan.. Prince Bantugan was the brother of the chieftain of a village called Bumbaran. Bantugan owned a magic shield, was protected by divine spirits called "Tonongs" and was capable of rising from the dead. Once his enemies attacked Bumbaran, thinking he was dead. In the nick of time, Bantugan's soul was recovered and he saved the village.
There is also an episode, where Prince Bantugan was on a quest and fought his enemies with his magic Kampilan(Native sword). Soon, he got tired and fell on to the water. A crocodile delivered him to his enemies, but he regained his strength, escaped his captors, and commands an oar less ship and won the battle.
There were also "Darangan epic poetries that relates stories of wars about abducted princesses. Just like the chronicles of the Trojan War.
The Darangan is one of the oldest and longest Philippine epic poetries. Several nights were needed to recite the twenty five beautiful chapters. The Darangan, sung in its original, possessed a sustained beauty and dignity, it might be studied for its esthetic values alone
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